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静水城
马特·达蒙,卡米尔·科坦,阿比盖尔·布雷斯林,利鲁·肖沃,狄安娜·杜纳甘,伊迪尔·阿祖格利,安娜·勒尼,茂萨·马斯克里,伊莎贝尔·塔纳克,奈德拉·阿亚迪,吉尔伯特·特拉尼亚,威廉·纳迪兰,沙扎德·拉蒂夫,米歇尔‧邦波,莎拉·布鲁克斯,埃里克·斯达克,罗伯特·皮特斯猎杀超自然
约翰·威尔士,Darren Lee Cupp,艾迪森·格蕾丝·伦道夫犹大与黑弥赛亚
丹尼尔·卡卢亚,勒凯斯·斯坦菲尔德,杰西·普莱蒙,多米尼克·菲什巴克,艾什顿·桑德斯,阿尔吉·史密斯,达里尔·布里特-吉布森,里尔·莱尔·哈瓦瑞,多米妮克·索恩,马丁·辛,阿马里·切托姆,克里斯·戴维斯,伊恩·达夫,卡勒布·埃伯哈特,罗伯特·朗斯特里特,汤米·拉菲特,特雷勒·希尔,齐纳·萨维尔斯,迈克尔·哈瑞蒂,迈克尔·博诺莫,布莱恩·鲍曼,杰梅因·福勒,洛根·弗莱,泰拉·乔伊·史密斯临租家庭
布兰登·费舍,平岳大,山本真理,香农·戈尔曼,柄本明,尼希,古川雁,金隆夫,小松裕司,长田凉子,保罗·安德里亚·迪·皮耶特罗,木村文哉,龟田梨纱,加奈·凯蒂,尾关伸嗣,筱崎志乃,楚南勇真仇杀病房
千虎珍,柳海真,徐孝琳阴山禁地
戴向宇,杜奕衡,朱凌雾,张舜迦,李伟龙,于宝坤,安巴,李易衡人气佳作
食人之饥
马克-安德烈·格隆丁,莫妮亚·肖克里,Charlotte St-Martin我们的天空,我们的河
Mahmoud Abu Abbas,Myriam Abbas,达丽娜·阿尔·乔迪,Sami Al-Ali,Labwa Arab,Basim Hajar,Amed Hashimi,Muslem Hassoun,扎伊纳布·约达,Ali Kareem,Zaydun Khalaf,Kholod Mohamad,Suzan Muneam,Siham Mustafa,Badia Obaid,Kamaran Raoof,Karam Thamir“骑”逢对手
那馨,李梦男,任悦鸣,庞统,闫震宁,陈家葆最终测试
安东尼·迈克尔·豪尔,查理·吉尔莱斯皮尔,汉娜·凯普尔,约翰·卡普洛斯,利丽克·罗斯导演精选
诗人2025
中年诗人奥斯卡·雷斯特雷波沉迷于诗歌,却始终未获认可。他孤僻而失落,活成了“被遗忘的诗人”典型。一次偶然的邂逅,他结识了出身贫寒的少女尤拉迪,并试图引导她走上创作之路。随着两人关系的深入,奥斯卡将她带入诗人世界,却也让她面临理想与现实的冲突。
让她走
《尸控网路》寇帝卡拉汉执导,2016多伦多暗夜恐怖电影节丶2016伦敦恐怖电影节。《变虫人》《鬼水魔咒》制片团队挖掘「消失的双胞胎」现象之谜。面对自我邪恶双生的另一面,你该任其操控,或是奋力抵抗?
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.