禁忌:新的姐姐

⭐ 6.2 播放:66万 2026-06-06
主演: 이슬/

eee  “어느날,계모가데리고온새누나로인해모든게변하고말았다…”  2년전지방펜션사업가대길(정민준)의재력을보고재혼한보험왕송여사(이유린).하지만,서서히망해가는대길의펜션사업과자신을인정하지않는대길의아들성호(김영식)로인해결혼생활은평탄치않다.더욱이매달조여오는보험실적에짓눌린송여사는지긋지긋한생활을벗어나멋지고새로운인생의한방을위해그녀의젊은내연남과음모를꾸민다.이윽고재혼한남편대길과그의아들성호를대상으로위험한미끼를던지는데...

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剧情提要

eee  “어느날,계모가데리고온새누나로인해모든게변하고말았다…”  2년전지방펜션사업가대길(정민준)의재력을보고재혼한보험왕송여사(이유린).하지만,서서히망해가는대길의펜션사업과자신을인정하지않는대길의아들성호(김영식)로인해결혼생활은평탄치않다.더욱이매달조여오는보험실적에짓눌린송여사는지긋지긋한생활을벗어나멋지고새로운인생의한방을위해그녀의젊은내연남과음모를꾸민다.이윽고재혼한남편대길과그의아들성호를대상으로위험한미끼를던지는데...

幕后花絮

生人活祭

  媒体从业人员帕特里克·卡特(肯塔克尔·德利 Kentucker Audley 饰)意外联系到了失踪许久的姐姐卡罗琳(艾米·西米茨 Amy Seimetz 饰)。卡罗琳当初曾在戒毒所治疗,如今住进了一个名为“圣伊甸园”的地方,并自称过上了乌托邦般的生活。为了弄清姐姐的下落,帕特里克和同事兼好友山姆·特纳(AJ·鲍恩 AJ Bowen 饰)、杰克·威廉姆斯(乔·斯万博格 Joe Swanberg 饰)启程前往圣伊甸园的所在地调查。这座乐园位于一个鲜为人知的隐秘所在,许许多多生活中经历痛苦和坎坷的人们,在“父亲”(吉恩·琼斯 Gene Jones 饰)的感召和抚慰下重获新生。  出于媒体人的敏感,山姆取得了和“父亲”对谈的机会,但他却从对方幽默机智的谈吐中嗅到了一丝杀气……

好像一切都很糟糕

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster