影片推荐
年度最佳新娘
Carine Rous,Bouwer Bosch,阿曼德·奥坎普国宝2025
吉泽亮,横滨流星,渡边谦,高畑充希,寺岛忍,田中泯,森七菜,见上爱,永濑正敏,黑川想矢,三浦贵大古宅谜案
贡米,郭秋成,刘家麟,黑妹,李中煜,冯淇祈,刘禹君致命录像带85
弗莱迪·罗德里格兹,詹姆斯·兰索恩,乔丹·贝尔菲,吉吉·索尔·格雷罗,丹妮·迪特,Chelsey Grant,Alex Galick,Justen Jones,马克·西普卡,Marcio Moreno,Anna Sundberg,Andrew Ghai,Chivonne Michelle,Tyler Noble,Gabriela Roel,弗洛伦西亚·里奥斯,Ari Gallegos,Felipe de Lara,Forrest Hartl,艾薇·拜尔温德尔和怀尔德
科甘-迈克尔·凯,乔丹·皮尔,利丽克·罗斯,安吉拉·贝塞特,吴汉章,文·瑞姆斯,雷蒙娜·杨,娜塔丽·马丁内斯,坦图·卡丁诺,艾格尔·纳尔,加布里埃尔·丹尼斯,大卫·哈雷伍德,玛克辛·皮克,Sam Zelaya,Seema Virdi,Michele Mariana,Gary Gatewood,Tamara Smart灵魂摆渡之风华绝代
于毅,岳丽娜,何花,杨昆,倪虹洁,刘智扬同类精选
审判者1
尹子维,李灿森,郭常辉,方川,陈禹铭,李夏佩,彭波,周超峰,孙鸣蔚,赵旭,陈青晔,刘静怡,李欢灵异隧道实录
贝尔·德利亚,Andy Rodoreda,Steve Davis,卢克·阿诺德,戈兰·D·克鲁特,James Caitlin,Ben Maclaine,彼得·麦卡拉姆,Rebecca Clay,Shannon Harvey,Arianna Gusi,Russell Jeffrey,Jessica Fallico,Ben James,Peter Overton,瑞妮·林,丹·伊利克母鸡2025
雅尼斯·科基亚斯梅诺斯,玛丽亚·迪亚科帕纳约图,阿吉里斯·潘达扎拉斯,马赫穆特·巴梅尔尼,克罗尼斯·巴巴里安,安东尼斯‧卡非祖罗普斯,尼克斯·凯提斯,迪米特里斯·佩雷吉斯,安东尼斯·齐奥齐奥普洛斯危境交战
艾米·博特斯,普登丝·布特莱齐,法拉伊·奇古杜恐怖故事3：火星来的少女
任瑟雍,景收真,朴正民,洪恩熙重大发现
尼尔·布林,丹妮尔·安德雷德影视排行
亭亭凤凰台
张秋歌,陈友旺,董涛,王瀚邦,周显欣,梁琛,王曦瑶该片以诗圣杜甫创作凤凰台为引，讲述了三位甘肃成县人士回乡参加乡贤大会时，揭开了一段深埋于记忆长河的往事。
至尊马蒂
提莫西·查拉梅,格温妮斯·帕特洛,敖德萨·阿德隆,凯文·奥利里,泰勒·奥康马,桑德拉·伯恩哈德,阿贝尔·费拉拉,乔什·伯恩,亚历山大·布里尼策,丹尼斯奎里根,泰勒·戴蒙德,盖佐·罗赫里格,法兰·德瑞雪,弗朗西斯·杜莫里耶,凯文·埃克尔斯顿,约里斯·斯图克,克里斯蒂安·伊格弗丹斯,布莱克·吉奥维蒂,斯宾塞·格兰斯,托雷·希尔为了实现一个无人相信的伟大梦想，马蒂去了一趟地狱。 年轻迷人的马蒂，渴望名声、荣耀，以及遥不可及的“世界乒乓球冠军”头衔。为了梦想，他什么都能做到。穿越纽约、巴黎、伦敦、开罗与东京，他在无数的挫折与考验中前行，遇见了挚友、恋人与伙伴，也一次次在胜败之间重生。最终，他开创了自己的伟大道路，也领悟了荣光的真正意义。
女人
宝拉雅娜·麦金托什,劳伦·阿什利·卡特,肖恩·布里吉格斯,安吉拉·贝蒂斯,卡尔利·贝克,马西娅·贝内特,乔安娜·哈灵顿,汤米·尼尔森,Shyla Molhusen,Gordon Vincent,Zach Rand,Shelby Mailloux,Tyler Merlini,Jordan Carrasquillo,Jordan Chapalonis影片讲述了一个从小被抛弃于森林，依照动物生存模式存活下来的女人。被一个男人掳掠回家并且受尽欺凌。这家人中，男主人极度大男子主义，仇视女人。小儿子因为受父亲教导也对女人极不尊敬。懦弱并逆来顺受的母亲，被父亲侮辱而怀孕的大女儿，以及不谙世事的小女儿。故事的最后，大女儿在极度绝望和恐惧的支配下放了野女人，野女人杀了她的父母和弟弟，带走了她的妹妹。 本片以不太恐怖的氛围，却深刻的暗喻了一个至今仍然存在的严重的社会现象，男人应该如何看待女人，女人应该如何正确扮演家庭中的角色。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.